After those experiments, I sought to further explore the Constructivist aesthetic of these fences through vector drawing. This approach wasn’t focused on their functionality or height but instead served as a way to abstract their visual composition. Vector drawing allowed me to distill and emphasize the geometric and structural features of the fences, shifting my engagement from a practical analysis to a more abstract and artistic exploration.
Through vector drawing, I sought to move beyond the practical and physical characteristics of the fences and focus on their form and structure. This helped me gain a better understanding of the fences’ presence as visual elements in the urban landscape. I found that these fences are not only physical obstacles but also play an important role in the visual composition of the city through their lines, forms, and structures.
Conclusion: My initial research combines photography, sketching, map-making, and vector drawing to explore the aesthetic and psychological impact of fences. Through these methods, I analyzed the dual nature of fences as both protective and isolating, while also examining their aesthetic value in urban spaces. Moving forward, I plan to further develop these explorations, particularly in understanding how the formal language of fences conveys psychological effects and continuing to investigate the relationship between different fence forms and emotional responses.